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  • image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
    Authors: Blanke, Tobias; Kristel, Conny; Romary, Laurent;

    Humanities have convincingly argued that they need transnational research opportunities and through the digital transformation of their disciplines also have the means to proceed with it on an up to now unknown scale. The digital transformation of research and its resources means that many of the artifacts, documents, materials, etc. that interest humanities research can now be combined in new and innovative ways. Due to the digital transformations, (big) data and information have become central to the study of culture and society. Humanities research infrastructures manage, organise and distribute this kind of information and many more data objects as they becomes relevant for social and cultural research. International audience

    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/ http://arxiv.org/pdf...arrow_drop_down
    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
    http://arxiv.org/pdf/1601.0053...
    Part of book or chapter of book
    Data sources: UnpayWall
    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
    arXiv.org e-Print Archive
    Other literature type . Preprint . 2015
    https://doi.org/10.4324/978131...
    Part of book or chapter of book . 2017 . Peer-reviewed
    Data sources: Crossref
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    Part of book or chapter of book . 2017
    Data sources: KNAW Pure
    https://doi.org/10.48550/arxiv...
    Article . 2016
    License: arXiv Non-Exclusive Distribution
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  • Authors: Demonet, Marie-Luce;

    La conservation, l’étude et la numérisation des livres ont été avant tout justifiées par un besoin social ou individuel de lecture : utilitaire, pour obtenir un diplôme et avoir un métier, pour diffuser des idées, besoin hédoniste issu du plaisir de la lecture. Actuellement la constitution des corpus et la numérisation de collections pourraient remplacer les livres par les « données », dont la consultation mettrait en danger un rapport au texte qui était avant tout « linéaire ». Des exemples pris dans les fonds de la bibliothèque du Mans ou personnels permettent d’alimenter le débat autour de ce qui apparaît comme une déqualification de la lecture, au profit de résultats obtenus grâce à un outillage plus ou moins bien maîtrisé par l’humain. Once upon a time, the preservation, the study, and the digitization of books were primarily justified by utilitarian needs: to obtain a qualification, or to hold down a job — or to share ideas, or to satisfy a hedonistic need derived from the pleasure of reading. Nowadays the building of corpora and the digitization of collections could replace books by « data », the consultation of which threatens a close engagement with the linearity of text. I will comment on examples chosen from the library of Le Mans, and from my own collection, to question this apparent under valuing of reading in favour of results derived by means of tools only partly under human control. International audience

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  • image/svg+xml Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Closed Access logo, derived from PLoS Open Access logo. This version with transparent background. http://commons.wikimedia.org/wiki/File:Closed_Access_logo_transparent.svg Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao
    Authors: Costis Dallas;

    This paper advocates the necessity of developing a pragmatic alternative to the dominant custodial theorization of digital curation as an “umbrella concept for digital preservation, data curation, electronic records, and digital asset management”. Starting from a historical account and an examination of prevalent definitions, it points to the current dependence of digital curation on a prescriptive approach rooted in its cognate field of digital preservation, aiming to serve the needs of professional stewardship. It demonstrates the disconnect of this theorization with the rich historical traditions of museum curatorship where the notion of curation originated, its inability to act as a framework for understanding the diversity and pervasiveness of contemporary digital curation practices “in the wild” (such as content curation, personal archiving, and pro-am digitization), and its dependence on a “wild frontier” ideology dissonant with contemporary critical cultural heritage scholarship. The alternative, pragmatic approach views digital curation as a “contact zone” practice, routinely performed by a broad range of actors including researchers, artists, users, and communities, on dynamically evolving objects, domain knowledge representations, and interactions, beyond the curation life cycle prescribed for custodial environments. On this basis, this study calls for a formal reconceptualization of digital curation, adequate knowledge representation of its objects, evidence-based research on curation practices, and establishment of curation-enabled digital infrastructures suitable for curation in the continuum. Reaching beyond a custodial view, this approach aims to establish digital curation as a field of intellectual inquiry relevant to emerging pervasive curation practices in the digital environment.

    image/svg+xml Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Closed Access logo, derived from PLoS Open Access logo. This version with transparent background. http://commons.wikimedia.org/wiki/File:Closed_Access_logo_transparent.svg Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Archival Sciencearrow_drop_down
    image/svg+xml Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Closed Access logo, derived from PLoS Open Access logo. This version with transparent background. http://commons.wikimedia.org/wiki/File:Closed_Access_logo_transparent.svg Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao
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    Article . 2015 . Peer-reviewed
    License: Springer TDM
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      image/svg+xml Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Closed Access logo, derived from PLoS Open Access logo. This version with transparent background. http://commons.wikimedia.org/wiki/File:Closed_Access_logo_transparent.svg Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Archival Sciencearrow_drop_down
      image/svg+xml Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Closed Access logo, derived from PLoS Open Access logo. This version with transparent background. http://commons.wikimedia.org/wiki/File:Closed_Access_logo_transparent.svg Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao
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      Article . 2015 . Peer-reviewed
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  • image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
    Authors: Laurent Romary; Charles Riondet;

    This article tackles the issue of integrating heterogeneous archival sources in one single data repository, namely the EHRI portal, whose aim is to support Holocaust research by providing online access to information about dispersed sources relating to the Holocaust (http://portal.ehri-project.eu). In this case, the problem at hand is to combine data coming from a network of archives in order to create an interoperable data space which can be used to search for, retrieve and disseminate content in the context of archival-based research. The central aspect of the work described in this paper is the assessment of the role of the Encoded Archival Description (EAD) standard as the basis for achieving the tasks described above. We have worked out how we could develop a real strategy of defining specific customization of EAD that could be used at various stages of the process of integrating heterogeneous sources. We have developed a methodology based on a specification and customization method inspired from the extensive experience of the Text Encoding Initiative (TEI) community. In the TEI framework, one has the possibility to model specific subsets or extensions of the TEI guidelines while maintaining both the technical (XML schemas) and editorial (documentation) content within a single framework. This work has led us quite far in anticipating that the method we have developed may be of a wider interest within similar environments, but also, as we believe, for the future maintenance of the EAD standard. Special thanks to Annelies van Nispen (NIOD) and Hector Martinez Alonso (ALMAnaCH) for their help, and to Lou Burnard (TEI) for his wise comments International audience

    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/ OpenAIRE; Archival S...arrow_drop_down
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    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
    Archival Science
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The following results are related to Rural Digital Europe. Are you interested to view more results? Visit OpenAIRE - Explore.
  • image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
    Authors: Blanke, Tobias; Kristel, Conny; Romary, Laurent;

    Humanities have convincingly argued that they need transnational research opportunities and through the digital transformation of their disciplines also have the means to proceed with it on an up to now unknown scale. The digital transformation of research and its resources means that many of the artifacts, documents, materials, etc. that interest humanities research can now be combined in new and innovative ways. Due to the digital transformations, (big) data and information have become central to the study of culture and society. Humanities research infrastructures manage, organise and distribute this kind of information and many more data objects as they becomes relevant for social and cultural research. International audience

    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/ http://arxiv.org/pdf...arrow_drop_down
    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
    http://arxiv.org/pdf/1601.0053...
    Part of book or chapter of book
    Data sources: UnpayWall
    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
    arXiv.org e-Print Archive
    Other literature type . Preprint . 2015
    https://doi.org/10.4324/978131...
    Part of book or chapter of book . 2017 . Peer-reviewed
    Data sources: Crossref
    KNAW Pure
    Part of book or chapter of book . 2017
    Data sources: KNAW Pure
    https://doi.org/10.48550/arxiv...
    Article . 2016
    License: arXiv Non-Exclusive Distribution
    Data sources: Datacite
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  • Authors: Demonet, Marie-Luce;

    La conservation, l’étude et la numérisation des livres ont été avant tout justifiées par un besoin social ou individuel de lecture : utilitaire, pour obtenir un diplôme et avoir un métier, pour diffuser des idées, besoin hédoniste issu du plaisir de la lecture. Actuellement la constitution des corpus et la numérisation de collections pourraient remplacer les livres par les « données », dont la consultation mettrait en danger un rapport au texte qui était avant tout « linéaire ». Des exemples pris dans les fonds de la bibliothèque du Mans ou personnels permettent d’alimenter le débat autour de ce qui apparaît comme une déqualification de la lecture, au profit de résultats obtenus grâce à un outillage plus ou moins bien maîtrisé par l’humain. Once upon a time, the preservation, the study, and the digitization of books were primarily justified by utilitarian needs: to obtain a qualification, or to hold down a job — or to share ideas, or to satisfy a hedonistic need derived from the pleasure of reading. Nowadays the building of corpora and the digitization of collections could replace books by « data », the consultation of which threatens a close engagement with the linearity of text. I will comment on examples chosen from the library of Le Mans, and from my own collection, to question this apparent under valuing of reading in favour of results derived by means of tools only partly under human control. International audience

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  • image/svg+xml Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Closed Access logo, derived from PLoS Open Access logo. This version with transparent background. http://commons.wikimedia.org/wiki/File:Closed_Access_logo_transparent.svg Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao
    Authors: Costis Dallas;

    This paper advocates the necessity of developing a pragmatic alternative to the dominant custodial theorization of digital curation as an “umbrella concept for digital preservation, data curation, electronic records, and digital asset management”. Starting from a historical account and an examination of prevalent definitions, it points to the current dependence of digital curation on a prescriptive approach rooted in its cognate field of digital preservation, aiming to serve the needs of professional stewardship. It demonstrates the disconnect of this theorization with the rich historical traditions of museum curatorship where the notion of curation originated, its inability to act as a framework for understanding the diversity and pervasiveness of contemporary digital curation practices “in the wild” (such as content curation, personal archiving, and pro-am digitization), and its dependence on a “wild frontier” ideology dissonant with contemporary critical cultural heritage scholarship. The alternative, pragmatic approach views digital curation as a “contact zone” practice, routinely performed by a broad range of actors including researchers, artists, users, and communities, on dynamically evolving objects, domain knowledge representations, and interactions, beyond the curation life cycle prescribed for custodial environments. On this basis, this study calls for a formal reconceptualization of digital curation, adequate knowledge representation of its objects, evidence-based research on curation practices, and establishment of curation-enabled digital infrastructures suitable for curation in the continuum. Reaching beyond a custodial view, this approach aims to establish digital curation as a field of intellectual inquiry relevant to emerging pervasive curation practices in the digital environment.

    image/svg+xml Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Closed Access logo, derived from PLoS Open Access logo. This version with transparent background. http://commons.wikimedia.org/wiki/File:Closed_Access_logo_transparent.svg Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Archival Sciencearrow_drop_down
    image/svg+xml Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Closed Access logo, derived from PLoS Open Access logo. This version with transparent background. http://commons.wikimedia.org/wiki/File:Closed_Access_logo_transparent.svg Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao
    Archival Science
    Article . 2015 . Peer-reviewed
    License: Springer TDM
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      image/svg+xml Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Closed Access logo, derived from PLoS Open Access logo. This version with transparent background. http://commons.wikimedia.org/wiki/File:Closed_Access_logo_transparent.svg Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Archival Sciencearrow_drop_down
      image/svg+xml Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Closed Access logo, derived from PLoS Open Access logo. This version with transparent background. http://commons.wikimedia.org/wiki/File:Closed_Access_logo_transparent.svg Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao
      Archival Science
      Article . 2015 . Peer-reviewed
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  • image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
    Authors: Laurent Romary; Charles Riondet;

    This article tackles the issue of integrating heterogeneous archival sources in one single data repository, namely the EHRI portal, whose aim is to support Holocaust research by providing online access to information about dispersed sources relating to the Holocaust (http://portal.ehri-project.eu). In this case, the problem at hand is to combine data coming from a network of archives in order to create an interoperable data space which can be used to search for, retrieve and disseminate content in the context of archival-based research. The central aspect of the work described in this paper is the assessment of the role of the Encoded Archival Description (EAD) standard as the basis for achieving the tasks described above. We have worked out how we could develop a real strategy of defining specific customization of EAD that could be used at various stages of the process of integrating heterogeneous sources. We have developed a methodology based on a specification and customization method inspired from the extensive experience of the Text Encoding Initiative (TEI) community. In the TEI framework, one has the possibility to model specific subsets or extensions of the TEI guidelines while maintaining both the technical (XML schemas) and editorial (documentation) content within a single framework. This work has led us quite far in anticipating that the method we have developed may be of a wider interest within similar environments, but also, as we believe, for the future maintenance of the EAD standard. Special thanks to Annelies van Nispen (NIOD) and Hector Martinez Alonso (ALMAnaCH) for their help, and to Lou Burnard (TEI) for his wise comments International audience

    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/ OpenAIRE; Archival S...arrow_drop_down
    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
    Archival Science
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