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apps Other research productkeyboard_double_arrow_right Other ORP type 2023 Sweden EnglishPublisher:KTH, Hållbara byggnader Authors: Dervishaj, Arlind; Gudmundsson, Kjartan;Dervishaj, Arlind; Gudmundsson, Kjartan;Buildings are major contributors to climate change. Reusing buildings and materials in a circular economy is a promising solution, but we need methods and tools to support it. Therefore, we develop digital innovations to support the reuse of concrete, a ubiquitous construction material that represents 7-8% of global C02 emissions. In this poster, we present our research progress concerning two refereed publications presented at eCAADe and EC3 & CIB W78 conferences, both published in 2023. © 2024 The Author(s). All rights reserved. This work received the Best Poster Award at "KTH Transformation Day 2023", organized by KTH Industrial Transformation Platform. The focus of the event for 2023 was on Circular Economy (CE), and how the CE can contribute to sustainability goals.QC 20231108 ReCreate project
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For further information contact us at helpdesk@openaire.euapps Other research productkeyboard_double_arrow_right Other ORP type 2010 Sweden EnglishPublisher:KTH, Medieteknik och grafisk produktion, Media Authors: Unander-Scharin, Carl; Unander-Scharin, Åsa; Lundin, Magnus;Unander-Scharin, Carl; Unander-Scharin, Åsa; Lundin, Magnus;OLIMPIA The puppet Olimpia’s virtuoso coloratura aria is performed by a giant electro mechanically choreographed marionette built from highly patinated scrap machine parts. The music is ‘coloratura’ in its original sense – coloured or embellished – and implies a re-colouring of Offenbach’s aria from “The tales of Hoffmann”. The choreography is both a response to Heinrich Kleist’s homage to the marionette (1810), ‘the most graceful of all dancers whose non self conscious movements simply obey the realm of purely mechanical forces’, and yet at the same time it is a staging of an anorexic yearning for a body without skin, flesh or psyche. The marionette consists of nine body parts connected – via a string system – to 15 computer directed servo engines, attached to an aluminium frame in the ceiling. Marionette height 300 cm. Frame 240x240 cm2. Concept, choreography and movement programming: Åsa Unander-Scharin Puppet maker, electronics and software: Magnus Lundin Aria: Jaques Offenbach (from Les racontes d’Hoffmann, 1881) Singer: Jeanette Bjurling (recording: Lars-Göran Ehn) Music: Carl Unander-Scharin Light design: Anders Larsson Photo: Rune Ahlström First performance in the Reactor hall at The Royal Institute of Technology in Stockholm, 2010 Produced by Scen- och Sinnesproduktion, financial support by Längmanska kulturfonden and the Swedish Arts Grants Committee Extending Opera, Opera Mecatronica, KTH R1 Experimental Space QC 20120209
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For further information contact us at helpdesk@openaire.euapps Other research productkeyboard_double_arrow_right Other ORP type 2010 Sweden EnglishPublisher:KTH, Medieteknik och grafisk produktion, Media Authors: Unander-Scharin, Carl; Unander-Scharin, Åsa; Asplund, Lars;Unander-Scharin, Carl; Unander-Scharin, Åsa; Asplund, Lars;ROBOCYGNEThis trembling black robot swan which sometimes moves smoothly and gently, sometimes in a dramatic and fiery manner to Tchaikovsky´s majestic music is inspired by Edgar Degas’ sculpture The little fourteen year old dancer (1881), and is made from wax, bobbinet and silk ribbon. This birdlike body vibrates with electronic life and has the unattainable dream of dancing as prima ballerina on a grand stage. The music is a re-modelling of Rothbart’s theme from the Swan lake where both the ocean and the orchestra have been caressed and yet at the same time smacked by music technology.The dance has been created by a hands - on process where the robot body parts have been manipulated one by one to the music by the choreographer, in four recordings. The body consists of two light metal wings embellished with black feathers, a torso of aluminium, black bobbinet and circuit cards, a vertically adjustable leg, a very flexible neck together with a beak made of eight servo engines. Height 130 cm. Wingspan 160 cm.Choreography and movement recording: Åsa Unander-ScharinMusic: Pjotr Tchaikovsky (from The Swan lake, 1877) /Carl Unander-Scharin Robot construction and software development: Prof. Lars Asplund and Alexander Larsson, School of Innovation, Design and Engineering at Mälardalen University (MDH)Project managing: Lars Asplund and Kerstin Gauffin (MDH)Production: Mälardalen University Photo: Elias LindénFirst performance at the Swedish Book Fair in Gothenburg, 2010The music has been developed through Scen- och Sinnesproduktion’s financial support from the Swedish Arts Grants CommitteeQC 20120209 This trembling black robot swan which sometimes moves smoothly and gently, sometimes in a dramatic and fiery manner to Tchaikovsky´s majestic music is inspired by Edgar Degas’ sculpture The little fourteen year old dancer (1881), and is made from wax, bobbinet and silk ribbon. This birdlike body vibrates with electronic life and has the unattainable dream of dancing as prima ballerina on a grand stage. The music is a re-modelling of Rothbart’s theme from the Swan lake where both the ocean and the orchestra have been caressed and yet at the same time smacked by music technology. Extending Opera, Opera Mecatronica, KTH R1 Experimental Space
Publikationer från K... arrow_drop_down Publikationer från KTH; Digitala Vetenskapliga Arkivet - Academic Archive On-lineOther ORP type . 2010 . Peer-reviewedAll Research productsarrow_drop_down <script type="text/javascript"> <!-- document.write('<div id="oa_widget"></div>'); document.write('<script type="text/javascript" src="https://www.openaire.eu/index.php?option=com_openaire&view=widget&format=raw&projectId=od_______260::c20a58327f2204c5f4d38f8150a7b763&type=result"></script>'); --> </script>
For further information contact us at helpdesk@openaire.eu0 citations 0 popularity Average influence Average impulse Average Powered by BIP!more_vert Publikationer från K... arrow_drop_down Publikationer från KTH; Digitala Vetenskapliga Arkivet - Academic Archive On-lineOther ORP type . 2010 . Peer-reviewedAll Research productsarrow_drop_down <script type="text/javascript"> <!-- document.write('<div id="oa_widget"></div>'); document.write('<script type="text/javascript" src="https://www.openaire.eu/index.php?option=com_openaire&view=widget&format=raw&projectId=od_______260::c20a58327f2204c5f4d38f8150a7b763&type=result"></script>'); --> </script>
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apps Other research productkeyboard_double_arrow_right Other ORP type 2023 Sweden EnglishPublisher:KTH, Hållbara byggnader Authors: Dervishaj, Arlind; Gudmundsson, Kjartan;Dervishaj, Arlind; Gudmundsson, Kjartan;Buildings are major contributors to climate change. Reusing buildings and materials in a circular economy is a promising solution, but we need methods and tools to support it. Therefore, we develop digital innovations to support the reuse of concrete, a ubiquitous construction material that represents 7-8% of global C02 emissions. In this poster, we present our research progress concerning two refereed publications presented at eCAADe and EC3 & CIB W78 conferences, both published in 2023. © 2024 The Author(s). All rights reserved. This work received the Best Poster Award at "KTH Transformation Day 2023", organized by KTH Industrial Transformation Platform. The focus of the event for 2023 was on Circular Economy (CE), and how the CE can contribute to sustainability goals.QC 20231108 ReCreate project
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For further information contact us at helpdesk@openaire.eu0 citations 0 popularity Average influence Average impulse Average Powered by BIP!more_vert All Research productsarrow_drop_down <script type="text/javascript"> <!-- document.write('<div id="oa_widget"></div>'); document.write('<script type="text/javascript" src="https://www.openaire.eu/index.php?option=com_openaire&view=widget&format=raw&projectId=od_______681::27792e13872b43c3a3dc586166a72efc&type=result"></script>'); --> </script>
For further information contact us at helpdesk@openaire.euapps Other research productkeyboard_double_arrow_right Other ORP type 2010 Sweden EnglishPublisher:KTH, Medieteknik och grafisk produktion, Media Authors: Unander-Scharin, Carl; Unander-Scharin, Åsa; Lundin, Magnus;Unander-Scharin, Carl; Unander-Scharin, Åsa; Lundin, Magnus;OLIMPIA The puppet Olimpia’s virtuoso coloratura aria is performed by a giant electro mechanically choreographed marionette built from highly patinated scrap machine parts. The music is ‘coloratura’ in its original sense – coloured or embellished – and implies a re-colouring of Offenbach’s aria from “The tales of Hoffmann”. The choreography is both a response to Heinrich Kleist’s homage to the marionette (1810), ‘the most graceful of all dancers whose non self conscious movements simply obey the realm of purely mechanical forces’, and yet at the same time it is a staging of an anorexic yearning for a body without skin, flesh or psyche. The marionette consists of nine body parts connected – via a string system – to 15 computer directed servo engines, attached to an aluminium frame in the ceiling. Marionette height 300 cm. Frame 240x240 cm2. Concept, choreography and movement programming: Åsa Unander-Scharin Puppet maker, electronics and software: Magnus Lundin Aria: Jaques Offenbach (from Les racontes d’Hoffmann, 1881) Singer: Jeanette Bjurling (recording: Lars-Göran Ehn) Music: Carl Unander-Scharin Light design: Anders Larsson Photo: Rune Ahlström First performance in the Reactor hall at The Royal Institute of Technology in Stockholm, 2010 Produced by Scen- och Sinnesproduktion, financial support by Längmanska kulturfonden and the Swedish Arts Grants Committee Extending Opera, Opera Mecatronica, KTH R1 Experimental Space QC 20120209
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For further information contact us at helpdesk@openaire.eu0 citations 0 popularity Average influence Average impulse Average Powered by BIP!more_vert All Research productsarrow_drop_down <script type="text/javascript"> <!-- document.write('<div id="oa_widget"></div>'); document.write('<script type="text/javascript" src="https://www.openaire.eu/index.php?option=com_openaire&view=widget&format=raw&projectId=od_______681::b6eccf1b2d10b223ec9481561923582a&type=result"></script>'); --> </script>
For further information contact us at helpdesk@openaire.euapps Other research productkeyboard_double_arrow_right Other ORP type 2010 Sweden EnglishPublisher:KTH, Medieteknik och grafisk produktion, Media Authors: Unander-Scharin, Carl; Unander-Scharin, Åsa; Asplund, Lars;Unander-Scharin, Carl; Unander-Scharin, Åsa; Asplund, Lars;ROBOCYGNEThis trembling black robot swan which sometimes moves smoothly and gently, sometimes in a dramatic and fiery manner to Tchaikovsky´s majestic music is inspired by Edgar Degas’ sculpture The little fourteen year old dancer (1881), and is made from wax, bobbinet and silk ribbon. This birdlike body vibrates with electronic life and has the unattainable dream of dancing as prima ballerina on a grand stage. The music is a re-modelling of Rothbart’s theme from the Swan lake where both the ocean and the orchestra have been caressed and yet at the same time smacked by music technology.The dance has been created by a hands - on process where the robot body parts have been manipulated one by one to the music by the choreographer, in four recordings. The body consists of two light metal wings embellished with black feathers, a torso of aluminium, black bobbinet and circuit cards, a vertically adjustable leg, a very flexible neck together with a beak made of eight servo engines. Height 130 cm. Wingspan 160 cm.Choreography and movement recording: Åsa Unander-ScharinMusic: Pjotr Tchaikovsky (from The Swan lake, 1877) /Carl Unander-Scharin Robot construction and software development: Prof. Lars Asplund and Alexander Larsson, School of Innovation, Design and Engineering at Mälardalen University (MDH)Project managing: Lars Asplund and Kerstin Gauffin (MDH)Production: Mälardalen University Photo: Elias LindénFirst performance at the Swedish Book Fair in Gothenburg, 2010The music has been developed through Scen- och Sinnesproduktion’s financial support from the Swedish Arts Grants CommitteeQC 20120209 This trembling black robot swan which sometimes moves smoothly and gently, sometimes in a dramatic and fiery manner to Tchaikovsky´s majestic music is inspired by Edgar Degas’ sculpture The little fourteen year old dancer (1881), and is made from wax, bobbinet and silk ribbon. This birdlike body vibrates with electronic life and has the unattainable dream of dancing as prima ballerina on a grand stage. The music is a re-modelling of Rothbart’s theme from the Swan lake where both the ocean and the orchestra have been caressed and yet at the same time smacked by music technology. Extending Opera, Opera Mecatronica, KTH R1 Experimental Space
Publikationer från K... arrow_drop_down Publikationer från KTH; Digitala Vetenskapliga Arkivet - Academic Archive On-lineOther ORP type . 2010 . Peer-reviewedAll Research productsarrow_drop_down <script type="text/javascript"> <!-- document.write('<div id="oa_widget"></div>'); document.write('<script type="text/javascript" src="https://www.openaire.eu/index.php?option=com_openaire&view=widget&format=raw&projectId=od_______260::c20a58327f2204c5f4d38f8150a7b763&type=result"></script>'); --> </script>
For further information contact us at helpdesk@openaire.eu0 citations 0 popularity Average influence Average impulse Average Powered by BIP!more_vert Publikationer från K... arrow_drop_down Publikationer från KTH; Digitala Vetenskapliga Arkivet - Academic Archive On-lineOther ORP type . 2010 . Peer-reviewedAll Research productsarrow_drop_down <script type="text/javascript"> <!-- document.write('<div id="oa_widget"></div>'); document.write('<script type="text/javascript" src="https://www.openaire.eu/index.php?option=com_openaire&view=widget&format=raw&projectId=od_______260::c20a58327f2204c5f4d38f8150a7b763&type=result"></script>'); --> </script>
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