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  • image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
    Authors: Emmerson, Parker;

    **Abstract** This paper presents an innovative study on the advancement of geometric logic through tessellations and sweeping nets, addressing the challenge of arranging reflecting points for efficient ray tracing under limited time constraints. We introduce the concept of a sweeping subnet alongside a causal barrier to encapsulate the geometrical limitations posed by time, thereby delineating the boundary of influence for light propagation within a defined space. This work delves into the underpinnings of tessellation dynamics, revealing how the spatial arrangement and temporal evolution of tessellated patterns can be navigated and optimized through a novel algorithmic framework. Through a combination of theoretical exploration and practical implementation, including Python code for simulation and visualization, we provide a platform for approximating optimal tessellations that adapt to the constraints dictated by the causal barrier. The exploration of causal barrier dynamics, lattice optimization, and the computational approach to evolving tessellations contributes to the foundational understanding of geometric logic's calculus, with potential applications ranging from rendering engines in computer graphics to dynamic environmental mapping. In this paper, we have explained how logic-vectors can be interpreted as a geometrical representation over computational engines and how it can be implemented in code using large language models. We have also proposed the usage of Time Compass to derive logic-vector evolution over a quasi-chaotic system and its direct manipulation on the tessellation Colormap. This paper focuses on the optimal arrangement of reflecting points for efficient ray tracing given limited sweep time. We examine spatial configurations, employing our core concept of a sweeping subnet and defining a causal barrier to capture constraints imposed by time. We will also discuss the influence of these constructions on the design of an algorithm for approximating optimal tessellations. I have provided code for each of the graphs, as the mathematics is demonstrated unequivocally by their implementation. The reader can test out the reality of this system by visualizing the graphs themselves using Python in a suitable environment like Google Colaboratory.

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    Other ORP type . 2024
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  • Authors: Kalfantis, Pavlos;

    Εθνικό Μετσόβιο Πολυτεχνείο--Μεταπτυχιακή Εργασία. Διεπιστημονικό-Διατμηματικό Πρόγραμμα Μεταπτυχιακών Σπουδών (Δ.Π.Μ.Σ.) "Επιστήμη Δεδομένων και Μηχανική Μάθηση"

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    Authors: European Food Safety Authority;

    This model was developed by Maarten Nauta and used by members of the EFSA Working Group on persistence of microbiological hazards (EFSA-Q-2022-00217) dealing with the scientific opinion on the persistence of microbiological hazards in food and feed production and processing environments (https://doi.org/10.2903/ j.efsa.2024.8521). The models simulate a simple food chain where persistence of L. monocytogenes and Salmonella enterica may occur in the food processing environment. They can be used to analyse the QMRA models described in the scientific opinion. The supplementary files to the abovementioned EFSA opinion include an R code for the Listeria monocytogenes model that can be run in RStudio and provides an Rshiny app, an R code for the Salmonella enterica model that can be run in RStudio and provides an Rshiny app and a manual which describes the L. monocytogenes model and explains the interface. The Salmonella enterica app works similarly, but the model misses some elements of the L. monocytogenes model. More details can be found in sections 2.5 (methodology), 3.5.1. (assessment) and Appendix E of the scientific opinion. THe potential sources of uncertainty are listed in Appendix C.

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  • image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
    Authors: Žvirblis, Laimonas;

    The activity of the public broadcaster began after the First World War and has been successfully operating until today. After starting its operation by radio waves, the public service broadcaster during its activity experienced several challenges. Its work has been constantly discussed and even received quite a lot of criticism. Why is it needed? What is it good for? Especially, many discussions took place with the onset of technological advances. Digitization is one of the most prominent innovations of technological progress, which caused a huge revolution in the activities of the public service broadcaster and in its relationship with the public. Adapting to the challenges posed by digitization has been difficult but necessary for the public service broadcaster. It was noticed that if the public service broadcaster refuses to use the tools created by digitalization, the audience’s attention began to decrease. Therefore, to remain relevant and necessary, the public service broadcaster needed not only to participate in the process of digital transformation, but even to rethink its priorities and operational functions. This paper will examine the participation of the Lithuanian National Radio and Television (LRT) in the process of digital transformation. LRT's approach to this process can be partially clarified in the “2023-2027 LRT Strategy”. The digitization process in this document is mentioned more than once. However, this does not fully prove that LRT is focusing on this. Therefore, a qualitative study was conducted – a semi-structured interview in which professionals from the LRT media group participated. During it, the main seek was to find out the answers to various questions relevant to this thesis. How journalists manage to work in a media environment affected by digitalization? What are the challenges? How has digitization changed the specifics of their work? How do they rate LRT? How did LRT change? How is LRT participating in the digital transformation process? In order to answer these questions, the object of the final thesis has been singled out – the viewpoint of LRT media group professionals working in the public broadcaster towards LRT's adaptation to the digitization process and changing work specifics. The aim of the thesis is to find out how the professionals of the LRT media group evaluate the Lithuanian public broadcaster in the process of digital transformation. The conclusions of the thesis research showed that, despite being exposed to various challenges, the public service broadcaster always knew how to adapt. The digitalization process should not be feared, but should be participated in, to achieve the best possible connection with the public. Over the years, the focus on the audience has grown steadily. Gradually, it became clear that the public broadcaster needs to change, participate in the digitization process, and implement new technologies in its activities. In other words, to create a digital partnership. The informants who participated in the research claim that LRT is a contemporary and modern public service broadcaster. Actively participates in the digitization process and understands its importance. According to them, LRT tries to reach the widest possible audience in every possible way. Takes advantage of all media channels and uses them purposefully. Started working on content for youth and children. In addition, against the background of modern media challenges, LRT becomes a guiding star of accurate and reliable information. To ensure that only correct and fact-checked information reaches the public. Visuomeninio transliuotojo veikla prasidėjo po Pirmojo pasaulinio karo ir sėkmingai veikia iki šių dienų. Pradėjęs veiklą radijo bangomis, visuomeninis transliuotojas veiklos eigoje patyrė nemažai iššūkių. Jo vykdoma veikla buvo nuolat diskutuojama, sulaukė nemažai kritikos. Kodėl jis reikalingas? Kam jis naudingas? Ypatingai daug diskusijų vyko prasidėjus technologijų pažangai. Skaitmeninimas – viena ryškiausių technologinės pažangos inovacijų sukėlusių didžiulį perversmą visuomeninio transliuotojo veikloje bei santykyje su visuomene. Visuomeniniam transliuotojui prisitaikyti prie skaitmeninimo sukeltų iššūkių buvo sunku, tačiau būtina. Pastebėta, jog visuomeniniam transliuotojui nesinaudojant skaitmeninimo sukurtais įrankiais, auditorijos skiriamas dėmesys pradėjo mažėti. Tad norint išlikti aktualiu ir reikalingu, visuomeniniam transliuotojui reikėjo ne tik dalyvauti skaitmeninės transformacijos procese, bet netgi permąstyti savo prioritetus ir veikimo funkcijas. Šiame darbe bus nagrinėjamas Lietuvos nacionalinio radijo ir televizijos (LRT) dalyvavimas skaitmeninės transformacijos procese. LRT požiūrį į šį procesą iš dalies galima išsiaiškinti „2023-2027 metų LRT strategijoje“. Šiame dokumente, skaitmeninimo procesas minimas ne kartą. Tačiau tai neįrodo, jog LRT iš tikrųjų į tai orientuojasi. Todėl atliktas kokybinis tyrimas – pusiau struktūruotas interviu, kuriame dalyvavo LRT medijų grupės profesionalai. Jo metu siekta išsiaiškinti atsakymus į įvairius šiam baigiamajam darbui aktualius klausimus. Kaip žurnalistams sekasi dirbti skaitmenizacijos veikiamoje medijų aplinkoje? Kokių iššūkių kyla? Kaip skaitmenizacija pakeitė jų darbo specifiką? Kaip jie vertina LRT? Kaip LRT keitėsi? Kaip LRT sekasi dalyvauti skaitmeninės transformacijos procese? Siekiant atsakyti į šiuos klausimus, išskirtas baigiamojo darbo objektas – LRT medijų grupės profesionalų, dirbančių visuomeniniame transliuotojuje, požiūris į LRT prisitaikymą prie skaitmenizacijos proceso ir kintančios darbo specifikos. Baigiamojo darbo tikslas – išsiaiškinti, kaip Lietuvos visuomeninį transliuotoją skaitmeninės transformacijos procese vertina jame dirbantys LRT medijų grupės profesionalai. Baigiamojo darbo tyrimo išvados parodė, jog nors ir veikiamas įvairių iššūkių, visuomeninis transliuotojas visuomet mokėjo prisitaikyti. Skaitmenizacijos proceso reikia ne išsigąsti, o dalyvauti jame, norint pasiekti kuo geresnį ryšį su visuomene. Bėgant metams dėmesys auditorijai nuolat augo. Pamažu tapo aišku, jog visuomeniniam transliuotojui reikia keistis, dalyvauti skaitmeninimo procese, diegti savo veikloje naujas technologijas. Kitaip tariant – kurti skaitmeninę partnerystę. Tyrime dalyvavę informantai teigia, jog LRT – šiuolaikiškas ir modernus visuomeninis transliuotojas. Aktyviai dalyvauja skaitmeninimo procese ir supranta jo svarbą. Anot jų, LRT visais įmanomais būdais stengiasi pasiekti, kuo platesnę auditoriją. Išnaudoja visų medijų kanalų galimybes ir tikslingai jais naudojasi. Pradėjo dirbti su turiniu, skirtu jaunimui ir vaikams. Be to, šiuolaikinių žiniasklaidos iššūkių fone, LRT tampa tarsi tikslios ir patikimos informacijos kelrode žvaigžde. Siekiant, jog visuomenę pasiektų tik teisinga ir faktais patikrinta informacija.

    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/ Vytautas Magnus Univ...arrow_drop_down
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  • Authors: Blauzdytė, Kamilė;

    Vizualinė komunikacija ir tekstą keičiantys vaizdai šiandien tampa neatsiejama socialinių tinklų dalimi. Socialiniai tinklai ir plačiai prieinamas turinys skaitmeninėje erdvėje prisidėjo prie keliamų iššūkių autorinėms teisėms. Socialinių tinklų populiarumas ir lengvas informacijos pasiekiamumas kelia problemas ne tik autorines teises ginančioms organizacijoms, bet ir kūrėjams, kurie stengiasi apsaugoti savo kūrinius nuo neleistino naudojimo. Moksliniuose tyrimuose pastebima, kad nors daugelis socialinių tinklų naudotojų žino autorinių teisių sąvoką, tačiau kyla problemų stengiantis ją identifikuoti. Darbo problema - vizualiųjų menų autorių teisių pažeidimai socialiniuose tinkluose. Pasirinktas darbo objektas – vizualiųjų menų autorių patirtys socialiniuose tinkluose. Šio darbo tikslas – teoriniu ir empiriniu lygmeniu išanalizuoti Lietuvos vizualiųjų menų autorių teisių pažeidimų patirtis socialinėse medijose. Šiam tikslui pasiekti išsikelti šie uždaviniai: išanalizuoti vizualinės komunikacijos svarbą, apibrėžiant vizualinės komunikacijos sampratą; identifikuoti vizualiųjų menų kūrėjų autorinių teisių pažeidimų spektrą socialinėse medijose pristatomą teorijose; remiantis parengta tyrimo metodika, išsiaiškinti veiksnius, kurie sukelia Lietuvos vizualiųjų menų kūrėjų autorinių teisių pažeidimus socialiniuose tinkluose; išanalizuoti Lietuvos vizualiųjų menų kūrėjų autorinių teisių pažeidimų klasifikaciją pagal jų pobūdį; išanalizuoti Lietuvos vizualiųjų menų kūrėjų autorinių teisių pažeidimų socialiniuose tinkluose sprendimo būdus. Uždaviniams įgyvendinti taikyti šie tyrimo metodai: mokslinės literatūros analizė, pusiau struktūruoti interviu su vizualiųjų menų atstovais, ekspertiniai interviu su autorines teises saugančios organizacijos LATGA specialistu bei teisininku, klausimynas Lietuvos socialinių tinklų naudotojams. Nagrinėjamu atveju – pasirinkta vizualiųjų menų grupės atstovai: fotografai ir grafikos dizaineriai. Interviu su Lietuvos vizualiųjų menų atstovais metu buvo siekiama giliau suprasti su kokiais iššūkiais susiduria autoriai, dalindamiesi savo kūryba socialiniuose tinkluose. Tyrimo metu gauti rezultatai parodė, kad autorinių teisių pažeidimus socialiniuose tinkluose lemia kompleksiniai ir individualūs rizikos veiksniai. Pagrindinės autorinių teisių problemos, su kuriomis susiduria kūrėjai, dalindamiesi savo kūryba socialiniuose tinkluose, dažniausiai yra susijusios su kūrinių vagystėmis. Vizualiųjų menų atstovai teigia, kad nors socialiniai tinklai teikia galimybes autoriams dalintis savo kūriniais ir yra kūrybos sklaidos kanalas, trūksta efektyvių priemonių prevencijai ir socialinių tinklų vartotojų sąmoningumo bei edukacijos autorinių teisių klausimu. Besidalijant savo kūriniais skaitmeninėje erdvėje, dažnai susiduriama su problema, kai kiti asmenys nepagarbiai naudojasi šiais kūriniais be tinkamo leidimo ar atlygio. Nepaisant keliamų skaitmeninių technologijų iššūkių ir dirbtinio intelekto atsiradimo, kuris taip pat kelia iššūkių autorinių teisių srityje, kalbinti informantai išskyrė ir teikiamą jų naudą bei darbo efektyvumo didinimą. Iš surinktų tyrimo duomenų galima pastebėti, kad pagrindine prevencine priemone laikoma edukacija ir sąmoningumo skatinimas autorinių teisių klausimu. Visual communication and text-changing images are now an integral part of social networks. Social networks and the widespread availability of content in the digital space have contributed to the challenges posed to copyright. The popularity of social networking and the easy accessibility of information poses challenges not only for copyright organisations but also for creators, who are struggling to protect their works from unauthorised use. Research shows that while many users of social networks are aware of the concept of copyright, they have problems identifying it. The problem of this paper is the infringement of visual arts copyright on social networks. The chosen object of the work is the experiences of visual artists on social networks. The aim of this thesis is to analyse, at the theoretical and empirical level, the experience of copyright infringements in the Lithuanian visual arts on social media. To achieve this goal, the following tasks were set: to analyse the importance of visual communication by defining the concept of visual communication; to identify the spectrum of copyright infringements of visual artists in social media as presented in theories; to find out the factors that cause copyright infringements of Lithuanian visual artists in social networks on the basis of the developed research methodology; to analyse the classification of copyright infringements of Lithuanian visual artists by the type of infringements; to analyse the ways of solving copyright infringements of Lithuanian visual artists in social networks. The following research methods were used: analysis of scientific literature, semi-structured interviews with representatives of the visual arts, expert interviews with a specialist and a lawyer from LATGA, a copyright protection organisation, and a questionnaire for Lithuanian social network users. In this case, the group of visual arts chosen are photographers and graphic designers. The interviews with Lithuanian visual arts representatives were aimed at gaining a deeper understanding of the challenges of copyright dissemination on social networks. The results showed that copyright infringements on social networks are driven by complex and individual risk factors. The main copyright problems faced by creators when sharing their work on social networks are mostly related to theft of works. Visual arts representatives argue that while social networks provide opportunities for creators to share their works and are a channel for the dissemination of creativity, there is a lack of effective prevention measures and a lack of awareness and education on copyright issues among social network users. Sharing your works digitally often leads to the problem of others making disrespectful use of these works without proper permission or remuneration. Despite the challenges posed by digital technologies and the emergence of artificial intelligence, which also poses challenges in the field of copyright, the informants interviewed highlighted the benefits they bring and the increase in work efficiency. From the data collected in the study, it can be seen that education and awareness-raising on copyright is considered as the main preventive measure.

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  • image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
    Authors: Yermakhan, Perizat;

    This research paper provides a comprehensive analysis of the evolution and current stage of e-commerce, examining the advantages and shortcomings of the Asian Synergy Logistics company. The paper effectively explores various aspects of e-commerce, including its different business types, and its global impact. The paper provides a practical application of theoretical knowledge and practical insights into how a specific company conducts its e-commerce activities. Furthermore, it offers valuable recommendations for enhancing the e-commerce operations of a logistics company. Šiame tiriamajame darbe pateikiama išsami e-komercijos raidos ir dabartinio etapo analizė, nagrinėjami azijos sinergijos logistikos įmonės pranašumai ir trūkumai. Straipsnyje veiksmingai nagrinėjami įvairūs elektroninės prekybos aspektai, įskaitant skirtingus jos verslo tipus, ir jo pasaulinis poveikis. Straipsnyje pateikiamas praktinis teorinių žinių pritaikymas ir praktinės įžvalgos apie tai, kaip konkreti įmonė vykdo savo elektroninės prekybos veiklą. Be to, ji siūlo vertingas rekomendacijas, kaip pagerinti logistikos įmonės elektroninės prekybos operacijas.

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  • image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
    Authors: Emmerson, Parker;

    **Abstract** This paper presents an innovative study on the advancement of geometric logic through tessellations and sweeping nets, addressing the challenge of arranging reflecting points for efficient ray tracing under limited time constraints. We introduce the concept of a sweeping subnet alongside a causal barrier to encapsulate the geometrical limitations posed by time, thereby delineating the boundary of influence for light propagation within a defined space. This work delves into the underpinnings of tessellation dynamics, revealing how the spatial arrangement and temporal evolution of tessellated patterns can be navigated and optimized through a novel algorithmic framework. Through a combination of theoretical exploration and practical implementation, including Python code for simulation and visualization, we provide a platform for approximating optimal tessellations that adapt to the constraints dictated by the causal barrier. The exploration of causal barrier dynamics, lattice optimization, and the computational approach to evolving tessellations contributes to the foundational understanding of geometric logic's calculus, with potential applications ranging from rendering engines in computer graphics to dynamic environmental mapping. In this paper, we have explained how logic-vectors can be interpreted as a geometrical representation over computational engines and how it can be implemented in code using large language models. We have also proposed the usage of Time Compass to derive logic-vector evolution over a quasi-chaotic system and its direct manipulation on the tessellation Colormap. This paper focuses on the optimal arrangement of reflecting points for efficient ray tracing given limited sweep time. We examine spatial configurations, employing our core concept of a sweeping subnet and defining a causal barrier to capture constraints imposed by time. We will also discuss the influence of these constructions on the design of an algorithm for approximating optimal tessellations. I have provided code for each of the graphs, as the mathematics is demonstrated unequivocally by their implementation. The reader can test out the reality of this system by visualizing the graphs themselves using Python in a suitable environment like Google Colaboratory.

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  • Authors: Kalfantis, Pavlos;

    Εθνικό Μετσόβιο Πολυτεχνείο--Μεταπτυχιακή Εργασία. Διεπιστημονικό-Διατμηματικό Πρόγραμμα Μεταπτυχιακών Σπουδών (Δ.Π.Μ.Σ.) "Επιστήμη Δεδομένων και Μηχανική Μάθηση"

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    Authors: European Food Safety Authority;

    This model was developed by Maarten Nauta and used by members of the EFSA Working Group on persistence of microbiological hazards (EFSA-Q-2022-00217) dealing with the scientific opinion on the persistence of microbiological hazards in food and feed production and processing environments (https://doi.org/10.2903/ j.efsa.2024.8521). The models simulate a simple food chain where persistence of L. monocytogenes and Salmonella enterica may occur in the food processing environment. They can be used to analyse the QMRA models described in the scientific opinion. The supplementary files to the abovementioned EFSA opinion include an R code for the Listeria monocytogenes model that can be run in RStudio and provides an Rshiny app, an R code for the Salmonella enterica model that can be run in RStudio and provides an Rshiny app and a manual which describes the L. monocytogenes model and explains the interface. The Salmonella enterica app works similarly, but the model misses some elements of the L. monocytogenes model. More details can be found in sections 2.5 (methodology), 3.5.1. (assessment) and Appendix E of the scientific opinion. THe potential sources of uncertainty are listed in Appendix C.

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  • image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
    Authors: Žvirblis, Laimonas;

    The activity of the public broadcaster began after the First World War and has been successfully operating until today. After starting its operation by radio waves, the public service broadcaster during its activity experienced several challenges. Its work has been constantly discussed and even received quite a lot of criticism. Why is it needed? What is it good for? Especially, many discussions took place with the onset of technological advances. Digitization is one of the most prominent innovations of technological progress, which caused a huge revolution in the activities of the public service broadcaster and in its relationship with the public. Adapting to the challenges posed by digitization has been difficult but necessary for the public service broadcaster. It was noticed that if the public service broadcaster refuses to use the tools created by digitalization, the audience’s attention began to decrease. Therefore, to remain relevant and necessary, the public service broadcaster needed not only to participate in the process of digital transformation, but even to rethink its priorities and operational functions. This paper will examine the participation of the Lithuanian National Radio and Television (LRT) in the process of digital transformation. LRT's approach to this process can be partially clarified in the “2023-2027 LRT Strategy”. The digitization process in this document is mentioned more than once. However, this does not fully prove that LRT is focusing on this. Therefore, a qualitative study was conducted – a semi-structured interview in which professionals from the LRT media group participated. During it, the main seek was to find out the answers to various questions relevant to this thesis. How journalists manage to work in a media environment affected by digitalization? What are the challenges? How has digitization changed the specifics of their work? How do they rate LRT? How did LRT change? How is LRT participating in the digital transformation process? In order to answer these questions, the object of the final thesis has been singled out – the viewpoint of LRT media group professionals working in the public broadcaster towards LRT's adaptation to the digitization process and changing work specifics. The aim of the thesis is to find out how the professionals of the LRT media group evaluate the Lithuanian public broadcaster in the process of digital transformation. The conclusions of the thesis research showed that, despite being exposed to various challenges, the public service broadcaster always knew how to adapt. The digitalization process should not be feared, but should be participated in, to achieve the best possible connection with the public. Over the years, the focus on the audience has grown steadily. Gradually, it became clear that the public broadcaster needs to change, participate in the digitization process, and implement new technologies in its activities. In other words, to create a digital partnership. The informants who participated in the research claim that LRT is a contemporary and modern public service broadcaster. Actively participates in the digitization process and understands its importance. According to them, LRT tries to reach the widest possible audience in every possible way. Takes advantage of all media channels and uses them purposefully. Started working on content for youth and children. In addition, against the background of modern media challenges, LRT becomes a guiding star of accurate and reliable information. To ensure that only correct and fact-checked information reaches the public. Visuomeninio transliuotojo veikla prasidėjo po Pirmojo pasaulinio karo ir sėkmingai veikia iki šių dienų. Pradėjęs veiklą radijo bangomis, visuomeninis transliuotojas veiklos eigoje patyrė nemažai iššūkių. Jo vykdoma veikla buvo nuolat diskutuojama, sulaukė nemažai kritikos. Kodėl jis reikalingas? Kam jis naudingas? Ypatingai daug diskusijų vyko prasidėjus technologijų pažangai. Skaitmeninimas – viena ryškiausių technologinės pažangos inovacijų sukėlusių didžiulį perversmą visuomeninio transliuotojo veikloje bei santykyje su visuomene. Visuomeniniam transliuotojui prisitaikyti prie skaitmeninimo sukeltų iššūkių buvo sunku, tačiau būtina. Pastebėta, jog visuomeniniam transliuotojui nesinaudojant skaitmeninimo sukurtais įrankiais, auditorijos skiriamas dėmesys pradėjo mažėti. Tad norint išlikti aktualiu ir reikalingu, visuomeniniam transliuotojui reikėjo ne tik dalyvauti skaitmeninės transformacijos procese, bet netgi permąstyti savo prioritetus ir veikimo funkcijas. Šiame darbe bus nagrinėjamas Lietuvos nacionalinio radijo ir televizijos (LRT) dalyvavimas skaitmeninės transformacijos procese. LRT požiūrį į šį procesą iš dalies galima išsiaiškinti „2023-2027 metų LRT strategijoje“. Šiame dokumente, skaitmeninimo procesas minimas ne kartą. Tačiau tai neįrodo, jog LRT iš tikrųjų į tai orientuojasi. Todėl atliktas kokybinis tyrimas – pusiau struktūruotas interviu, kuriame dalyvavo LRT medijų grupės profesionalai. Jo metu siekta išsiaiškinti atsakymus į įvairius šiam baigiamajam darbui aktualius klausimus. Kaip žurnalistams sekasi dirbti skaitmenizacijos veikiamoje medijų aplinkoje? Kokių iššūkių kyla? Kaip skaitmenizacija pakeitė jų darbo specifiką? Kaip jie vertina LRT? Kaip LRT keitėsi? Kaip LRT sekasi dalyvauti skaitmeninės transformacijos procese? Siekiant atsakyti į šiuos klausimus, išskirtas baigiamojo darbo objektas – LRT medijų grupės profesionalų, dirbančių visuomeniniame transliuotojuje, požiūris į LRT prisitaikymą prie skaitmenizacijos proceso ir kintančios darbo specifikos. Baigiamojo darbo tikslas – išsiaiškinti, kaip Lietuvos visuomeninį transliuotoją skaitmeninės transformacijos procese vertina jame dirbantys LRT medijų grupės profesionalai. Baigiamojo darbo tyrimo išvados parodė, jog nors ir veikiamas įvairių iššūkių, visuomeninis transliuotojas visuomet mokėjo prisitaikyti. Skaitmenizacijos proceso reikia ne išsigąsti, o dalyvauti jame, norint pasiekti kuo geresnį ryšį su visuomene. Bėgant metams dėmesys auditorijai nuolat augo. Pamažu tapo aišku, jog visuomeniniam transliuotojui reikia keistis, dalyvauti skaitmeninimo procese, diegti savo veikloje naujas technologijas. Kitaip tariant – kurti skaitmeninę partnerystę. Tyrime dalyvavę informantai teigia, jog LRT – šiuolaikiškas ir modernus visuomeninis transliuotojas. Aktyviai dalyvauja skaitmeninimo procese ir supranta jo svarbą. Anot jų, LRT visais įmanomais būdais stengiasi pasiekti, kuo platesnę auditoriją. Išnaudoja visų medijų kanalų galimybes ir tikslingai jais naudojasi. Pradėjo dirbti su turiniu, skirtu jaunimui ir vaikams. Be to, šiuolaikinių žiniasklaidos iššūkių fone, LRT tampa tarsi tikslios ir patikimos informacijos kelrode žvaigžde. Siekiant, jog visuomenę pasiektų tik teisinga ir faktais patikrinta informacija.

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  • Authors: Blauzdytė, Kamilė;

    Vizualinė komunikacija ir tekstą keičiantys vaizdai šiandien tampa neatsiejama socialinių tinklų dalimi. Socialiniai tinklai ir plačiai prieinamas turinys skaitmeninėje erdvėje prisidėjo prie keliamų iššūkių autorinėms teisėms. Socialinių tinklų populiarumas ir lengvas informacijos pasiekiamumas kelia problemas ne tik autorines teises ginančioms organizacijoms, bet ir kūrėjams, kurie stengiasi apsaugoti savo kūrinius nuo neleistino naudojimo. Moksliniuose tyrimuose pastebima, kad nors daugelis socialinių tinklų naudotojų žino autorinių teisių sąvoką, tačiau kyla problemų stengiantis ją identifikuoti. Darbo problema - vizualiųjų menų autorių teisių pažeidimai socialiniuose tinkluose. Pasirinktas darbo objektas – vizualiųjų menų autorių patirtys socialiniuose tinkluose. Šio darbo tikslas – teoriniu ir empiriniu lygmeniu išanalizuoti Lietuvos vizualiųjų menų autorių teisių pažeidimų patirtis socialinėse medijose. Šiam tikslui pasiekti išsikelti šie uždaviniai: išanalizuoti vizualinės komunikacijos svarbą, apibrėžiant vizualinės komunikacijos sampratą; identifikuoti vizualiųjų menų kūrėjų autorinių teisių pažeidimų spektrą socialinėse medijose pristatomą teorijose; remiantis parengta tyrimo metodika, išsiaiškinti veiksnius, kurie sukelia Lietuvos vizualiųjų menų kūrėjų autorinių teisių pažeidimus socialiniuose tinkluose; išanalizuoti Lietuvos vizualiųjų menų kūrėjų autorinių teisių pažeidimų klasifikaciją pagal jų pobūdį; išanalizuoti Lietuvos vizualiųjų menų kūrėjų autorinių teisių pažeidimų socialiniuose tinkluose sprendimo būdus. Uždaviniams įgyvendinti taikyti šie tyrimo metodai: mokslinės literatūros analizė, pusiau struktūruoti interviu su vizualiųjų menų atstovais, ekspertiniai interviu su autorines teises saugančios organizacijos LATGA specialistu bei teisininku, klausimynas Lietuvos socialinių tinklų naudotojams. Nagrinėjamu atveju – pasirinkta vizualiųjų menų grupės atstovai: fotografai ir grafikos dizaineriai. Interviu su Lietuvos vizualiųjų menų atstovais metu buvo siekiama giliau suprasti su kokiais iššūkiais susiduria autoriai, dalindamiesi savo kūryba socialiniuose tinkluose. Tyrimo metu gauti rezultatai parodė, kad autorinių teisių pažeidimus socialiniuose tinkluose lemia kompleksiniai ir individualūs rizikos veiksniai. Pagrindinės autorinių teisių problemos, su kuriomis susiduria kūrėjai, dalindamiesi savo kūryba socialiniuose tinkluose, dažniausiai yra susijusios su kūrinių vagystėmis. Vizualiųjų menų atstovai teigia, kad nors socialiniai tinklai teikia galimybes autoriams dalintis savo kūriniais ir yra kūrybos sklaidos kanalas, trūksta efektyvių priemonių prevencijai ir socialinių tinklų vartotojų sąmoningumo bei edukacijos autorinių teisių klausimu. Besidalijant savo kūriniais skaitmeninėje erdvėje, dažnai susiduriama su problema, kai kiti asmenys nepagarbiai naudojasi šiais kūriniais be tinkamo leidimo ar atlygio. Nepaisant keliamų skaitmeninių technologijų iššūkių ir dirbtinio intelekto atsiradimo, kuris taip pat kelia iššūkių autorinių teisių srityje, kalbinti informantai išskyrė ir teikiamą jų naudą bei darbo efektyvumo didinimą. Iš surinktų tyrimo duomenų galima pastebėti, kad pagrindine prevencine priemone laikoma edukacija ir sąmoningumo skatinimas autorinių teisių klausimu. Visual communication and text-changing images are now an integral part of social networks. Social networks and the widespread availability of content in the digital space have contributed to the challenges posed to copyright. The popularity of social networking and the easy accessibility of information poses challenges not only for copyright organisations but also for creators, who are struggling to protect their works from unauthorised use. Research shows that while many users of social networks are aware of the concept of copyright, they have problems identifying it. The problem of this paper is the infringement of visual arts copyright on social networks. The chosen object of the work is the experiences of visual artists on social networks. The aim of this thesis is to analyse, at the theoretical and empirical level, the experience of copyright infringements in the Lithuanian visual arts on social media. To achieve this goal, the following tasks were set: to analyse the importance of visual communication by defining the concept of visual communication; to identify the spectrum of copyright infringements of visual artists in social media as presented in theories; to find out the factors that cause copyright infringements of Lithuanian visual artists in social networks on the basis of the developed research methodology; to analyse the classification of copyright infringements of Lithuanian visual artists by the type of infringements; to analyse the ways of solving copyright infringements of Lithuanian visual artists in social networks. The following research methods were used: analysis of scientific literature, semi-structured interviews with representatives of the visual arts, expert interviews with a specialist and a lawyer from LATGA, a copyright protection organisation, and a questionnaire for Lithuanian social network users. In this case, the group of visual arts chosen are photographers and graphic designers. The interviews with Lithuanian visual arts representatives were aimed at gaining a deeper understanding of the challenges of copyright dissemination on social networks. The results showed that copyright infringements on social networks are driven by complex and individual risk factors. The main copyright problems faced by creators when sharing their work on social networks are mostly related to theft of works. Visual arts representatives argue that while social networks provide opportunities for creators to share their works and are a channel for the dissemination of creativity, there is a lack of effective prevention measures and a lack of awareness and education on copyright issues among social network users. Sharing your works digitally often leads to the problem of others making disrespectful use of these works without proper permission or remuneration. Despite the challenges posed by digital technologies and the emergence of artificial intelligence, which also poses challenges in the field of copyright, the informants interviewed highlighted the benefits they bring and the increase in work efficiency. From the data collected in the study, it can be seen that education and awareness-raising on copyright is considered as the main preventive measure.

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