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  • image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
    Authors: Cellamare, Carlo;
    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/ Archivio della ricer...arrow_drop_down
    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
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  • image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
    Authors: TRAVIGLIA, Arianna;
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  • image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
    Authors: Guzzetti, Luca; Andrighetto, Luca; Operto, Stefania;

    Interaction is a foundation of sociology, the complexity of which has produced over time numerous theoretical approaches and methods to define and analyze this concept. It is a process of varying duration between two or more actors who direct their actions by influencing the motivations and performance of these actions, producing reciprocal effects. The present research work analyzes a particular form of interaction, that between humans and machines: Human-Robot-Interaction (HRI). The interdisciplinary character of the relationship between humans and machines and its relationship with many sociological concepts is evident from the name itself: Human-Robot Interaction, a union of technological aspects concerning the robot, an artifact produced by human ingenuity, and human aspects related to social interaction. Science fiction has always been attracted by robots, often placed in a dystopian future in which they determine the increase of unemployment or reduce human beings to slavery. Robotics, more than other emerging technologies, stimulates symbolic imagery because of its form, the body of the robot that moves through space interacting with humans. The shift from recognizable machines to anthropomorphic robots amplifies these aspects, generating in people contradictory attitudes of enthusiasm and fear at the same time. During the last decade, the pervasiveness of these artifacts and their increasing diffusion in human environments and daily routines have increasingly motivated researchers to study the impact, perception, acceptability and acceptance of robotics. The analyses conducted aim to give a contribution in this sense also through an articulated survey work. The robot, as a social agent and actor, activates in the interaction with humans a complex system of symbols and categories. Science has opened new scenarios to describe the way in which human beings learn, as well as robots; the haptic dimension and the importance of touch as a primary sense put at the center, before others, the dimension of the body, the embodiment. The dimension of corporeality assumes considerable importance; two orientations emerge: the recognition of the robot in its machine form, on the one hand, and in its aspect more similar to a human being, on the other. The analyses conducted show that the interaction between humans and robots is a very complex phenomenon that activates social processes capable of influencing the representation of robots and the degree of acceptability. The resluts confirm that the word robot recalls a complex, multidimensional structure and determines a range of polysemic meanings belonging to different domains. The process of socialization with the robot, overall and in every single phase, appears to be influenced by symbolic systems, values, representations, mechanisms of memory and mind functioning and cognitive biases. Attitudes toward robotics are multifaceted and have a high level of interconnectedness. Like many new phenomena, socialization with robots will require a process of socialization and integration, the outcomes of which are not at all obvious at the moment. Perhaps, after a period of transition, the integration of robots into society will become a fact. This also seems to depend on the ability of research to reduce the divide between disciplines in order to open up to fully consider the ethical and social aspects underlying robotics.

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    https://doi.org/10.15167/opert...
    Other literature type . 2021
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    https://doi.org/10.15167/opert...
    Other literature type . 2021
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      https://doi.org/10.15167/opert...
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  • image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
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    An elegant book with the biografy of 40 Italian eminent Italian foresters has been published by the Italian Academy of Forest Science.

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    Authors: Luca Filoni; Giorgi Garatti; Andrea Giunto; Giulia Iadicicco; +2 Authors
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  • image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
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    Authors: María Rosa MOSQUERA LOSADA; Nuria FEIRREIRO-DOMINGUEZ; Rosa ROMERO-FRANCO; Antonio RIGUEIRO-RODRIGUEZ;

    La melissa (Melissa officinalis L.) è utilizzata per fornire acido rosmarinico al settore farmaceutico. La melissa, come la maggior parte delle piante medicinali, è ben adattata all'ombreggiamento. Il ciliegio è una specie a legname pregiato di elevato valore economico, con modesto ombreggiamento del suolo rispetto ad altre specie arboree.

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    Authors: Daniele, Sarri; Giancarlocosi,; Riccardo, Lisci; Marco, Rimediotti; +1 Authors
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    Authors: Canton A; Pettenella D;

    In Italy 67% of forestlands belong to private, usually small-scale, owners. Understanding landowners’ motivations is a crucial element to promote better and more active forest stewardship. This paper describes private forest owners’ managerial motivations. After a literature review on the issue, motivations are analyzed through a case study in the municipality of Recoaro Terme, located in the outer Alps range, Veneto Region, north-east Italy. Stated reasons for forest management are empirically identified by means of structured interviews to a statistically representative sample of local forest owners. Results show that forests are much more important for their intangible values and firewood self-consumption than for timber selling or other financial benefits. Different classifications of family forest owners are presented. The more helpful one is based on a cluster analysis and leads to the identification of three owners types with different motivations: a group of owners characterized by “Intangible Values”, a cluster of the “Multiobjective” owners and a group of “Un-interested” owners. These types show different socio-demographic features, various management, aims and information-seeking behaviour. Communication strategies, and management and assistance programs that might appeal to each type are discussed.

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  • image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
    Authors: Cellamare, Carlo;
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    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
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    Authors: TRAVIGLIA, Arianna;
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    Authors: Guzzetti, Luca; Andrighetto, Luca; Operto, Stefania;

    Interaction is a foundation of sociology, the complexity of which has produced over time numerous theoretical approaches and methods to define and analyze this concept. It is a process of varying duration between two or more actors who direct their actions by influencing the motivations and performance of these actions, producing reciprocal effects. The present research work analyzes a particular form of interaction, that between humans and machines: Human-Robot-Interaction (HRI). The interdisciplinary character of the relationship between humans and machines and its relationship with many sociological concepts is evident from the name itself: Human-Robot Interaction, a union of technological aspects concerning the robot, an artifact produced by human ingenuity, and human aspects related to social interaction. Science fiction has always been attracted by robots, often placed in a dystopian future in which they determine the increase of unemployment or reduce human beings to slavery. Robotics, more than other emerging technologies, stimulates symbolic imagery because of its form, the body of the robot that moves through space interacting with humans. The shift from recognizable machines to anthropomorphic robots amplifies these aspects, generating in people contradictory attitudes of enthusiasm and fear at the same time. During the last decade, the pervasiveness of these artifacts and their increasing diffusion in human environments and daily routines have increasingly motivated researchers to study the impact, perception, acceptability and acceptance of robotics. The analyses conducted aim to give a contribution in this sense also through an articulated survey work. The robot, as a social agent and actor, activates in the interaction with humans a complex system of symbols and categories. Science has opened new scenarios to describe the way in which human beings learn, as well as robots; the haptic dimension and the importance of touch as a primary sense put at the center, before others, the dimension of the body, the embodiment. The dimension of corporeality assumes considerable importance; two orientations emerge: the recognition of the robot in its machine form, on the one hand, and in its aspect more similar to a human being, on the other. The analyses conducted show that the interaction between humans and robots is a very complex phenomenon that activates social processes capable of influencing the representation of robots and the degree of acceptability. The resluts confirm that the word robot recalls a complex, multidimensional structure and determines a range of polysemic meanings belonging to different domains. The process of socialization with the robot, overall and in every single phase, appears to be influenced by symbolic systems, values, representations, mechanisms of memory and mind functioning and cognitive biases. Attitudes toward robotics are multifaceted and have a high level of interconnectedness. Like many new phenomena, socialization with robots will require a process of socialization and integration, the outcomes of which are not at all obvious at the moment. Perhaps, after a period of transition, the integration of robots into society will become a fact. This also seems to depend on the ability of research to reduce the divide between disciplines in order to open up to fully consider the ethical and social aspects underlying robotics.

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    https://doi.org/10.15167/opert...
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    https://doi.org/10.15167/opert...
    Other literature type . 2021
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      https://doi.org/10.15167/opert...
      Other literature type . 2021
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      https://doi.org/10.15167/opert...
      Other literature type . 2021
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  • image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
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    An elegant book with the biografy of 40 Italian eminent Italian foresters has been published by the Italian Academy of Forest Science.

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    Article . 2006
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    Authors: Luca Filoni; Giorgi Garatti; Andrea Giunto; Giulia Iadicicco; +2 Authors
    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/ Archivio della ricer...arrow_drop_down
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